Brad , an artist, griev es the los s of his wife after a tragic accident . He blames himself wish ing for only one thing : to have 5 more minutes to say how much he loved her. A stranger shows up who gives Brad a chance to look at his life from a different angel

From executive producers Elton John and David Furnish, Hating Peter Tatchell is the powerful and inspiring true story of the controversial human rights campaigner whose provocative acts of civil disobedience rocked the British establishment, and revolutionise attitudes to homosexuality and exposed world tyrants. Featuring an amazing array of rare archives and an intimate conversation between celebrated actor Ian McKellen and Peter himself, as well as evocative interviews with the likes of former Archbishop of Canterbury George Carey, activist Angela Mason, and actor Stephen Fry, this film explores what motivates Peter Tatchell's lifelong fight for equality.

The two different situations, which is a novel attempt that narrates two different stories, the entire movie is on split screen, the left side of the screen will tell one story and the right side will narrate the other. This will take place simultaneously at the same time. The story begins with a girl (Nithya) was kidnapped in the late night returning from office to home by three masked strangers, she has been locked up in a room, there is no source to escape. On the other hand a specially challenged innocent (Balasubramani) boy’s daily routine life is shown. Is she survived or not, and how the situation moves interestingly is the rest.

After a health event, in at age 72, painter Matías Quetglas was afraid his memory would be lost, so he decided to look back on his own memories. He calls his friend and collaborator Jesús Gáchez. Together they will take an emotional journey through the memories of the artist.

Through lines of poetry and psychological dance hagar tries to persuade her partner out of the closet

To see the film: www.lasabogadasfilm.com Synopsis: FOR A GROUP OF EXTRAORDINARY WOMEN WHO PRACTICE IMMIGRATION LAW, THE REFUGEE CRISIS IS A CALL TO ACTION THEY CAN'T IGNORE. In 2019, we began pre-production of this important documentary film. With the rhetoric in Washington increasing to a fever pitch around the subject of refugees coming to the southern border, it was important for director Victoria Bruce to be a part of bringing a humanitarian face to the crisis. After learning attorneys Rebecca Eichler and Charlene D’Cruz drove a VW bus to intercept 5000 migrants in central Mexico and offer legal advice in 2018, the protagonists for the documentary became clear. By centering the film around brave women attorneys often working for non-profits or completely pro bono, we could show true modern-day heroes standing up to insurmountable odds. Women who were trained to use the law to protect the most vulnerable were having their tools systematically twisted, canceled, and pulled out from under their critical work. The narrative of Las Abogadas centers around these brilliant women, all of whom gave us complete access to their lives and their practices. Among their clients, we have been given permission to film heartbreaking and heartwarming refugee stories as well. Our protagonists include: Rebecca Eichler, a retired attorney and first-generation American of Chinese and German descent currently living in central Mexico. Charlene D’Cruz, who left India as a teenager to attend college in the U.S. and found she faced intense discrimination as a woman and immigrant, something that continues to this day. Jodi Goodwin, a Texas-based mother of four who created the first sidewalk legal clinic as migrant families were bottlenecked in the blazing Mexican sun. Mulu Alemayehu, an Ethiopian-American who came to the U.S. as a political refugee and fulfilled her dream of studying law to help others being persecuted. While we were sidelined from location shooting during the pandemic, we still kept tabs on our characters and their journeys. We gathered footage they shot themselves as they reacted to the increasingly hostile laws and policies rolled out almost daily, and their own stress of living under quarantine. The film begins with a flashback to when Charlene and Rebecca meet at the caravan, and follows them working together in the Matamoros refugee camp just as the global pandemic is about to shut everything down. We learn the story of Jodi Goodwin, an attorney known for her work reuniting separated families. We see her exhausted and near the breaking point as she counsels her clients on how to tell their story to the judges that will do everything they can to dismiss their asylum claims and send them back to certain death. We see Mulu Alemayehu head across the Tijuana border to give any legal help she can to African migrants stuck in a country where they have no support at all. We watch as the emotional toll on the women is almost insurmountable. In their own narration, we hear how each woman came to do the work they do. With archival footage, we see their own personal stories of migration and their desire to give others the same opportunities. We jump to 2020 as COVID-19 shuts down international borders, trapping the migrants in a political quagmire. Our four attorneys struggle to find ways to continue their quest to help one brave and anguished soul at a time. We watch the intimate struggles of a single mother from Guatemala and her two children living in a refugee camp, a near-blind Cuban woman who needs treatment before her sight is completely gone, and a group of Cameroonian refugees stuck after a year-long journey to escape a civil war in their country. We follow Rebecca, Charlene, Jodi, and Mulu into the Fall of 2020. While the election brought a moment of relief and great joy for Charlene D’Cruz and Jodi Goodwin as they watched some of their clients finally be allowed into the United States, the tragedies continued. The new administration continued to shut out refugees, once again bottlenecking desperate men, women and children at the border, now with even fewer services, security, and support. We continued to film our lawyers through 2021, as they navigated what was supposed to be a hopeful beginning, but in turn created even greater challenges than they could have imagined.

The official trailer for No Address: Atlanta This is part two of the documentary series No Address: Atlanta re-examines the 1996 Olympics, where the modern-day criminalization started and showcases its growth up to the 2019 Super Bowl, the closing of one of the biggest shelters called “Peachtree and Pine” and present-day COVID-19 challenges. To learn more and to book a screening visit: https://noaddressdocumentary.com #NoAddress #Atlanta #Documentary #unsheltered #solutions

After being raised by a hard-working immigrant single mother, Maria José feels as though she must strive for perfection to appease her mother. However, there's so much lying one can handle, until things start to fall at the seams. Maria José must now choose between pleasing her mom, or doing what makes her happy.

THE POMEGRANATES OF NAGORNO-KARABAKH: A Film Essay about the Armenian-Azerbaijani War of 2020 and Its Impact. A cinematic recording of the uprooting and wandering of the people of Nagorno-Karabakh, using the pomegranate as its central axis; people who have counted thousands of deaths over the past four decades, and their movement in gray and rainy landscapes where no one knows what is their own, where their borders are and what their homeland is. For Armenians, the pomegranate is one of the most recognizable symbols of the country.   In Armenian mythology it symbolizes fertility and good fortune. It was a guardian against the evil eye. At weddings in Western Armenia, a bride would throw a pomegranate and break it into pieces. In Azerbaijan, the rich symbolism of pomegranates (called nar in Azerbaijani) has elevated them to the status of king of fruits. As a symbol of love and fertility, many songs and poems have been dedicated to it, and its form can often be seen replicated on carpet patterns and wall hangings. Pressing this imagery to the limits, each segment of this 12-part film has pomegranates to mark the transitions.

Para ver la película completa: https://acortar.link/domadoras

Days away from the closest land, lies a mythical underwater volcano. Beneath the waves: a bonanza of life. Massive shoals of fish darken the water and hundreds of sharks patrol the seamount. But like all wild places, this one too is in grave danger. Illegal fishing and sharkfinning might soon deplete this natural wonder and UNESCO heritage site of its natural wonders.

The Democratic Republic of Congo could feed almost 1 in 2 people on Earth. Yet one in six Congolese people suffer from hunger. Yet one in two Congolese suffers from moderate acute malnutrition. Yet agriculture accounts for 70% of the population there. Faced with this paradox, the peasants regroup in agricultural cooperatives. A handful of them share their daily lives with us, that of all those they represent. Even if they don't know each other, live thousands of hundreds of kilometers from each other, participate in different agricultural sectors, their voices resonate in this powerful, sensitive and sincere documentary.

Di Ankh: The Science of Kemetic Yoga Some of the earliest depictions of yoga positions and their meanings are hidden in plain sight on the temple walls in ancient Egypt (Kemet) in North Africa. Di Ankh: The Science of Kemetic Yoga is a provocative exploration pivoting one’s focus to the little known origins of the practice of yoga as physical and spiritual modalities deeply rooted in the ancient African region called Kemet and Kush. Di Ankh: The Science of Kemetic Yoga highlights alchemists, scholars, scientists, educators, healers, practitioners, students and master teachers through engaging interviews and personal testimonies. Featured guests include: Yirser Ra Hotep, Master Kemetic Yoga Instructor, and his teacher Dr. Asar Hapi. They are joined by Dr. T . Owens Moore, an African-centered psychologist and author of several books on melanin; Wayne B. Chandler, a practitioner, instructor in Medical-Qigong, and author of books on alchemy, spiritual transformation and the book Ancient Future; Dr. Anika Daniels-Osaze, an educator, linguist, university administrator, and co-founder of the Shrine of Ma’at; Dr. Georgia Dunston, a pioneering scientist in the field of human genetics and precision medicine; and Iya Ifafunmilola Faluade, General Manager of YogaSkills Kemetic Yoga Studio Atlanta. Based on four crucial foundational areas, the documentary takes viewers on an exploration of Kemetic history, the physical-spiritual self, optimal diet and the practice of Kemetic Yoga. Grounded in scientific and historical facts, experts discuss the effects of diet, Kemetic history, and the power of our belief systems. Be empowered. Di Ankh: The Science of Kemetic Yoga inspires us to confirm or readjust our footsteps towards embracing our ability to self-regulate, align and anchor to purpose and destiny to attract happiness and maintain joy and peace.

Tristan, a reluctant new Scout is conflicted after witnessing a homicide. Will he follow the code the Streets or the code of the Scouts?

A little girl lives in a village with her mother where water sources are dwindling by day. Drought effects her imagination, even her doodles and drawings. Not only people but the nature struggles with the unrelenting aridness. This little girl though, never loses hope. She tries to do as best she can, sacrificing from herself for her beloved nature.

About 23.5 million people live in food deserts in the U.S., areas where affordable, healthy food options are greatly limited if non-existent. There is so much that can be done.

Lemon Island (Citromsziget) is a slum in the town of Nagykanizsa. The dilapidated building complex of the former barracks is now inhabited by the poorest people who broke into the building through the walled up doors and live in rooms without water, electricity or windows. The town’s only homeless shelter operates in this building too. A unique world with a unique atmosphere and its own subculture. Although drugs and alcohol are the major force here and there is little chance for someone to walk the road back to mainstream society, this is not a deprived environment keeping depressed people alive but a functioning and convivial community with shared tasks, responsibilities with its occasional drama and moments of joy and also with the charismatic helpers whose presence is almost parental.